Saturday, January 29, 2011

pinked


At the first animation studio I worked at, when a shot was approved it would be given a pink colour in the edit. There was bonus money if you got a lot of animation "pinked" in a week, so pink has always stuck in my mind as a good thing. Whenever I finish a shot, I say in my head, "PINK!"

I just finished cutting in the HD renders of my film tonight. All 108 shots. (The spreadsheet on the left was what I used to track my shots throughout the process. Some of those bastards took weeks to do.) That means I'm officially finished everything from my end of things... if you exclude the next 18 months of marketing and festival submissions.

I've sent out the film to one festival already, and I'm super impatient to send out to others, but I really should wait until the colour correction is done (next week), and the sound is put into Dolby Surround (in two to three weeks). That means I'll miss two festivals that I've won at in the past, but I can always wait until next years' deadline for both of them.

That wasn't much of an art-y image, so here's a daily coffeeshop sketch:

Thursday, January 27, 2011

short but sweet.


Sketch from a meeting on the island today. I like small-town meetings, especially when they're in pubs. Such a variety of people of all ages, and we all find a way to get along together.

Wednesday, January 26, 2011

lash of the turk


Hey bike riders - do you get streaks of popped tires like I do? Seems like I'm fine for a year, then I'll have a couple weeks of tire-popping bullshit. Is it just me?

. . .

Check out this scene on the bus today, on the way back from Vancouver. I swear, every time I'm in that city something like this happens:

While shifting his position, the guy sitting next to me turns and burps right in my face without covering his mouth. He was clean-cut, but judging from his greasy face and the smell of his breath, he was up drinking until the wee hours of the morning and hadn't yet brushed his teeth.

Jay (weary): "Duuude. What the fuuuuuck."

Burper: "Oh sorry man, sorry, I have a bad mouth."

Jay: "You just burped in my face, man."

Burper: "I know I know... I'm sorry. But I covered my mouth, I covered my mouth."

Jay: "No you didn't!"

Then he got up and moved to the back of the bus. Fuck, man. People should just not be living that close together.

Monday, January 24, 2011

Friday, January 21, 2011

typical B.C. weather


Spent the day up on the mountainous backbone of Vancouver Island, among the low-hanging clouds. The mist was so thick it felt like you were drinking with each intake of breath.


Spectrum of Salal colours, on the way up from my favorite stream bushwhack. I love that white misty backdrop.


Springtime in the clearcut. Every year I'm amazed at how quickly the buds appear on the trees around here. There's only about a month of real "winter" in my mind, where everything really feels still and lifeless. Already there are long bright green chutes poking through the underbrush and fresh tips on the evergreen branches. Shit don't stop growin' 'round here!

8 pages


The last few days were 0% art-making, so all I've really created is a bunch of ideas in my sketchbook. Here they are.

0% art-making, but a lot of art-showing. Man, it feels good to finally be showing stuff after spending quite a while just making. That's half the point of art, ain't it? Showin' it?

Next up is an illustration gig, website stuff, and film-festival-submission-mania. This time around, I have a better idea of how the festival thing works. There's kind of an order of festivals you're supposed to hit, because some will only take your film if it's a premiere, and if you get into THIS festival, then THAT festival will almost certainly take it, etc etc.

But I decided today that I'm not going to do it the "right" way.

While making this film, my priority has always been to tell something honest, to share an idea, and to make something I'm proud of. I was always wary to not think about "doing well in festivals", because that's something completely out of my control. After screening the film to some close friends last night, I realized that I made the right choice with my priorities. I've ended up with a piece that I can share with pride because it's really an honest part of me, so I'm not relying on festival acceptance to justify all the work I've done.

So I'm going to send it to places that have meaning for me, and to everywhere else I can, but my submission plan is going to be based on my own priority, which is sharing with as many people as possible.

Tuesday, January 18, 2011

make eye contact and look away

Back in the city. Art show opening tonight (5PM at the Roundhouse, if anyone's interested), and finishing up the sound for my film tomorrow.

I'm feeling the usual city-sadness and frustration. Try to make eye contact - if someone senses you're looking at them, they'll intentionally look away. Public space in the city is incredibly lonely, sprinkled with rare bits of niceness when you share a laugh with a stranger.

Going over the Cambie Street bridge into the downtown core, I was shocked (again) at how fast this city is growing. You can almost see it expanding. It reminded me of some satellite views over China's coast:

You can actually see the surface of the planet drying up and dying. Road networks look like disease spreading through veins. We dominate nature, make our ultimate priority "human and economic growth", and become a planetary virus.

A bus stops in front of me. It's packed shoulder-to-shoulder with people with blank faces - emotionally "turned off" to deal with the close quarters. A gloomy-looking passenger stares out the bus window, through the coffeeshop window, and sees me. I smile and he looks away pretending he didn't notice.